Siena lutebook

Siena lutebook

The Hague, Gemeentemuseum, MS 28.B.39

Grand staff transcription by Alain Veylit

  • 2026, March 01 at 19:04
  • 2026, March 01 at 20:21
  • Djuke

Fandango Tablature Composer Copyright © 2015 by Alain Veylit All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever for commercial purposes without the express written permission of the publisher. Free for performance purposes. Musickshandmade Publication Printed in the United States of America

francesco1535.jpg
<div> <font style = "font-size: 10pt; font-family:Arial;" color = "#000000"></font><font style = "font-size: 10pt; font-family:Liberation Serif;" color = "#000000"></font><font style = "font-size: 12pt; font-family:Liberation Serif;" color = "#000000">The <b>Siena lute manuscript</b>, preserved at The Hague, Gemeentemuseum (MS 28.B.39) is a vast anthology of 160 pieces of Italian lute music, probably compiled in the 1590s, yet consisting mostly of pieces from the mid-16th century. Written using exclusively Italian tablature, it is methodically organized, with fantasias and ricercares opening the collection followed by Canzoni Francesi (French chansons). <p> Very notably for the period, very few dances are represented in the collection, with the exception of 2 galliards and one allemande or ballo - seems to have served as a model for John Dowland's "Lady Hunsdon's Puffe" - at the very end of the volume, quite probably from the later part of the century. Those dances are of excellent quality.</p><p> The final leaves are interesting as they contain later compositions, such as toccatas, and a dozen exercises without barlines, more typical of the late 16th or even early 17th century.</p><p> Most of the value of the collection, however, is in the fantasias and ricercare, many of whom are titled after their composer's name, often times abbreviated, and organized by tonality. Among the composers, we find many famous names of the period, notably Francesco da Milano, Giulio Severino, Fabrizio Dentice, or Luigi Vindella. Perhaps a dozen pieces were copied "Dal libro di F.B.", from the book of F.B. "F.B." as his contemporary "B.M.", also found in Vincenzo galiei's Fronimo, are still unidentified, but must have enjoyed some degree of fame, to be recognizable simply by their initials. </p><p> I am proposing this transcription in grand staff notation for two main reasons: first, I think it helps highlight the complexity of that music for people not familiar with tablature notation. This is particularly evident with the opening motifs of the fantasias, that are often echoed between voices. Finding exactly where those voices are has been a constant challenge, I am afraid still not fully solidified, either by my own inability or by the nature of the instrument and its notation. I found myself disagreeing with myself repeatedly on the matter of attributing a particular note to one staff or the other. What seeemed obvious one minute became debatable on second and third reading... </p><p> A second motivation for this transcription is to help with the development of my software, Fandango. I would never have started this project without the automatic procedures offered by Fandango in the conversion of tablature to notation. And yet, those automatic procedures are far from satisfactory for a final product. In the end, I had to edit the notation piece by piece, several times, and as I mentioned earlier, all the while hesitating on the best way to convey the fullness of the tablature version. </p><p> Although this transcription is by no means a satisfactory transcription for keyboard, I hope it will be useful for other uses, and for people who do not read tablature. Also, it may be interesting to use in the creation of duets for lute or guitar. </p><p> One final note, that may seem trivial to most of you, this grand staff transcription allows for a much more interesting MIDI rendition of the pieces. One may scoff at it but MIDI output is an essential tool for editing and proofreading, not to mention being very useful for people with visual impairments. Note that the tempi I used are mostly too fast for actual performance. </p><p> &nbsp;</p><p> <i>May this work receive its reward in your enjoyment of it. </p><p> Alain Veylit, Riverside California, February 2026.</p><p> &nbsp;</p><p> </i>&nbsp;</p><p> </p></font></div>
  • Siena-keyboard.pdf
  • francesco1535.jpg

161 Sections

  1. [Fantasia] Francesco da Milano fol 1r Ness #24

    [Fantasia]

    Francesco da Milano

    fol 1r Ness #24

    • 4/4
    • quarter note=120 (Unspecified)
    • Fm[4b]

    MIDI

  2. [Fantasia] Anon fol. 1v

    [Fantasia]

    Anon

    fol. 1v

    • 4/4
    • quarter note=120 (Unspecified)
    • Fm[4b]

    MIDI

  3. [Ricercar] Anon fol 2r

    [Ricercar]

    Anon

    fol 2r

    • 4/4
    • quarter note=120 (Unspecified)
    • Cm[3b]

    MIDI

  4. [Fantasia] Anon fol.2r

    [Fantasia]

    Anon

    fol.2r

    • 4/4
    • quarter note=120 (Andante)
    • Fm[4b]

    MIDI

  5. [Fantasia] Anon fol 2v

    [Fantasia]

    Anon

    fol 2v

    • 4/4
    • quarter note=120 (Unspecified)
    • Fm[4b]

    MIDI

  6. [Fantasia] G[iananto]io Severino f2v-3r

    [Fantasia]

    G[iananto]io Severino

    f2v-3r

    • 2/4
    • quarter note=120 (Unspecified)
    • Fm[4b]

    MIDI

  7. [Fantasia] Fab[o] Dentici fol.3r

    [Fantasia]

    Fab[o] Dentici

    fol.3r

    • 4/4
    • quarter note=95 (Unspecified)
    • Fm[4b]

    MIDI

  8. [Fantasia] Francesco da Milano fol.3r-3v Ness #53

    [Fantasia]

    Francesco da Milano

    fol.3r-3v Ness #53

    • 4/4
    • quarter note=122 (Unspecified)
    • Cm[3b]

    MIDI

  9. [Fantasia] Francesco da Milano f 3v-4r Ness #21

    [Fantasia]

    Francesco da Milano

    f 3v-4r Ness #21

    • 4/4
    • quarter note=98 (Unspecified)
    • Gm[2b]

    MIDI

  10. [Recercario] Francesco da Milano fol.4r Ness #52

    [Recercario]

    Francesco da Milano

    fol.4r Ness #52

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  11. [Ricercar] [Giulio da Modena] fol. 4r-4v

    [Ricercar]

    [Giulio da Modena]

    fol. 4r-4v

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  12. [Ricercar] Anon fol.4v

    [Ricercar]

    Anon

    fol.4v

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  13. [Ricercar] Anon fol.5r

    [Ricercar]

    Anon

    fol.5r

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  14. [Ricercar] Anon fol.5r-5v

    [Ricercar]

    Anon

    fol.5r-5v

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  15. [Recercata bella] Anon fol.5v

    [Recercata bella]

    Anon

    fol.5v

    • 4/4
    • quarter note=140 (Unspecified)
    • Gm[2b]

    MIDI

  16. [Recercario] Francesco da Milano fol.5v Ness #47

    [Recercario]

    Francesco da Milano

    fol.5v Ness #47

    • 4/4
    • quarter note=140 (Unspecified)
    • Gm[2b]

    MIDI

  17. [Ricercar] Anon fol.6r

    [Ricercar]

    Anon

    fol.6r

    • 4/4
    • quarter note=120 (Unspecified)
    • Cm[3b]

    MIDI

  18. [Fantasia] Pier[in]o [Fiorentino] fol.6r-6v

    [Fantasia]

    Pier[in]o [Fiorentino]

    fol.6r-6v

    • 4/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  19. [Fantasia] Anon fol.6v

    [Fantasia]

    Anon

    fol.6v

    • 4/4
    • quarter note=100 (Unspecified)
    • Gm[2b]

    MIDI

  20. Di Pier:o [Fantasia] Pier[in]o [Fiorentino] fol.6v-7r

    Di Pier:o [Fantasia]

    Pier[in]o [Fiorentino]

    fol.6v-7r

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  21. Alio [Fantasia] [Pierino Fiorentino] fol.7r

    Alio [Fantasia]

    [Pierino Fiorentino]

    fol.7r

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  22. Del Med:o [Fantasia] [Pierino Fiorentino] fol.7v.

    Del Med:o [Fantasia]

    [Pierino Fiorentino]

    fol.7v.

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  23. [Ricercar] Francesco da Milano fol.8a. Ness #23 (part 1 of duet)

    [Ricercar]

    Francesco da Milano

    fol.8a. Ness #23 (part 1 of duet)

    • 2/2
    • half note=60 (Unspecified)
    • Gm[2b]
    1. instrument

    MIDI

  24. [Fantasia] Fabritio Dentice fol.8r-8v

    [Fantasia]

    Fabritio Dentice

    fol.8r-8v

    • 4/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  25. [Fantasia] Anon fol.8v-9r

    [Fantasia]

    Anon

    fol.8v-9r

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  26. [Fantasia] Anon fol.9r-9v

    [Fantasia]

    Anon

    fol.9r-9v

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  27. Del Pineta [Fantasia] Pineta fol. 9v-10r

    Del Pineta [Fantasia]

    Pineta

    fol. 9v-10r

    • 4/4
    • quarter note=85 (Unspecified)
    • Gm[2b]

    MIDI

  28. Franc:o da Parigi [Fantasia] Franc.o da Parigi fol.10v Not in Ness: Francesco da Milano or Albert de Rippe?

    Franc:o da Parigi [Fantasia]

    Franc.o da Parigi

    fol.10v Not in Ness: Francesco da Milano or Albert de Rippe?

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  29. Med:o [Fantasia] Francesco da Parigi fol.11r

    Med:o [Fantasia]

    Francesco da Parigi

    fol.11r

    • 4/4
    • quarter note=110 (Unspecified)
    • Gm[2b]

    MIDI

  30. Fab. Den. [Fantasia] Fabritio Dentici fol. 11v

    Fab. Den. [Fantasia]

    Fabritio Dentici

    fol. 11v

    • 4/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  31. Seuer:o [Fantasia] Giulio Severino fol. 12r

    Seuer:o [Fantasia]

    Giulio Severino

    fol. 12r

    • 4/4
    • quarter note=100 (Unspecified)
    • Am[0b]

    MIDI

  32. Secondi Toni [Fantasia] Anon. fol. 12v

    Secondi Toni [Fantasia]

    Anon.

    fol. 12v

    • 4/4
    • quarter note=120 (Unspecified)
    • Dm[1b]

    MIDI

  33. [Fantasia] Anon fol. 12v - 13r

    [Fantasia]

    Anon

    fol. 12v - 13r

    • 2/2
    • half note=60 (Unspecified)
    • Dm[1b]

    MIDI

  34. Den. [Fantasia] Fabritio Dentici fol. 13r

    Den. [Fantasia]

    Fabritio Dentici

    fol. 13r

    • 2/2
    • half note=50 (Unspecified)
    • Gm[2b]

    MIDI

  35. [Fantasia] Anon. fol. 13v

    [Fantasia]

    Anon.

    fol. 13v

    • 2/2
    • half note=50 (Unspecified)
    • Bbm[5b]

    MIDI

  36. Terzi Toni [Recercar] Gio. Maria da Crema fol. 14r.

    Terzi Toni [Recercar]

    Gio. Maria da Crema

    fol. 14r.

    • 2/2
    • half note=60 (Unspecified)
    • Cm[3b]

    MIDI

  37. [Fantasia] Anon . fol.14r

    [Fantasia]

    Anon

    . fol.14r

    • 2/2
    • half note=60 (Unspecified)
    • Gm[2b]

    MIDI

  38. [Fantasia] Anon. fol.14v.

    [Fantasia]

    Anon.

    fol.14v.

    • 2/2
    • half note=60 (Unspecified)
    • Cm[3b]

    MIDI

  39. [Fantasia] Anon. fol.15r

    [Fantasia]

    Anon.

    fol.15r

    • 2/2
    • half note=50 (Unspecified)
    • Cm[3b]

    MIDI

  40. [Fantasia] Anon . fol.15r - 15v

    [Fantasia]

    Anon

    . fol.15r - 15v

    • 2/2
    • half note=60 (Unspecified)
    • Cm[3b]

    MIDI

  41. [Fantasia] Franc:o Parigi (Francesco da Milano) fol.15v (Ness #30

    [Fantasia]

    Franc:o Parigi (Francesco da Milano)

    fol.15v (Ness #30

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  42. Seuer:no [Fantasia] Giulio Severino [or Fabritio Dentici?] fol.16r

    Seuer:no [Fantasia]

    Giulio Severino [or Fabritio Dentici?]

    fol.16r

    • 2/4
    • half note=50 (Unspecified)
    • Gm[2b]

    MIDI

  43. Mede:o [Fantasia] Giulio Severino fol.16r - 16v

    Mede:o [Fantasia]

    Giulio Severino

    fol.16r - 16v

    • 2/2
    • half note=50 (Unspecified)
    • Gm[2b]

    MIDI

  44. [Fantasia] B. M. fol.16v - 17r

    [Fantasia]

    B. M.

    fol.16v - 17r

    • 2/2
    • half note=50 (Unspecified)
    • Gm[2b]

    MIDI

  45. Quarti Toni [Ricercar] Francesco da Milano fol.17r Ness #10

    Quarti Toni [Ricercar]

    Francesco da Milano

    fol.17r Ness #10

    • 2/2
    • half note=60 (Unspecified)
    • Dm[1b]

    MIDI

  46. [Prelude] Anon. fol.17r - 17v (cf. Attaingnant, 1529, #1

    [Prelude]

    Anon.

    fol.17r - 17v (cf. Attaingnant, 1529, #1

    • 2/2
    • half note=50 (Unspecified)
    • Dm[1b]

    MIDI

  47. Seuer:no [Fantasia] Giulio Severino fol.17v - 18r

    Seuer:no [Fantasia]

    Giulio Severino

    fol.17v - 18r

    • 2/2
    • half note=60 (Unspecified)
    • Em[1#]

    MIDI

  48. F.M. [Ricercar] Francesco da Milano fol.18r Ness #42

    F.M. [Ricercar]

    Francesco da Milano

    fol.18r Ness #42

    • 2/2
    • half note=60 (Unspecified)
    • Em[1#]

    MIDI

  49. [Ricercar] Francesco da Milano fol.18v Ness #13

    [Ricercar]

    Francesco da Milano

    fol.18v Ness #13

    • 2/2
    • half note=60 (Unspecified)
    • Em[1#]

    MIDI

  50. [Fantasia] Anon. fol.18v

    [Fantasia]

    Anon.

    fol.18v

    • 2/2
    • half note=50 (Unspecified)
    • Am[0b]

    MIDI

  51. [Fantasia] Anon. fol.19r

    [Fantasia]

    Anon.

    fol.19r

    • 2/2
    • half note=50 (Unspecified)
    • Em[1#]

    MIDI

  52. Quinti Toni B.M. [Fantasia] B. M. fol.19v (compare to fol.24r) B.M.=Bernardo Monzino?

    Quinti Toni B.M. [Fantasia]

    B. M.

    fol.19v (compare to fol.24r) B.M.=Bernardo Monzino?

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  53. [Ricercar] Francesco da Milano fol.20r Ness #8

    [Ricercar]

    Francesco da Milano

    fol.20r Ness #8

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  54. [Fantasia] Anon. fol.20r - 20v

    [Fantasia]

    Anon.

    fol.20r - 20v

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  55. [Fantasia] Francesco da Milano fol.20v Ness #35

    [Fantasia]

    Francesco da Milano

    fol.20v Ness #35

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  56. [Fantasia] Anon fol.20v - 21r

    [Fantasia]

    Anon

    fol.20v - 21r

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  57. [Fantasia] Giulio Segni da Modena fol.21r

    [Fantasia]

    Giulio Segni da Modena

    fol.21r

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  58. [Fantasia] Anon. fol.21v

    [Fantasia]

    Anon.

    fol.21v

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  59. [Fantasia] Francesco da Milano fol.21v - 22r Ness, #61

    [Fantasia]

    Francesco da Milano

    fol.21v - 22r Ness, #61

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  60. [Fantasia] Anon fol.22r

    [Fantasia]

    Anon

    fol.22r

    • 2/2
    • half note=50 (Unspecified)
    • F[1b]

    MIDI

  61. [Fantasia] Anon. fol.22r

    [Fantasia]

    Anon.

    fol.22r

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  62. [Fantasia] Francesco da Milano fol.22v Ness, # 58

    [Fantasia]

    Francesco da Milano

    fol.22v Ness, # 58

    • 2/2
    • half note=60 (Unspecified)
    • C[0b]

    MIDI

  63. [Fantasia] Anon. fol.22v - 23r

    [Fantasia]

    Anon.

    fol.22v - 23r

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  64. [Fantasia] Francesco da Milano fol.23r - 23v Ness #5

    [Fantasia]

    Francesco da Milano

    fol.23r - 23v Ness #5

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  65. Monz:no [Fantasia] Francesco da Milano fol.24r Ness App. #26

    Monz:no [Fantasia]

    Francesco da Milano

    fol.24r Ness App. #26

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  66. Franc:o da Parigi [Fantasia] Francesco da Milano fol.24v Ness #56

    Franc:o da Parigi [Fantasia]

    Francesco da Milano

    fol.24v Ness #56

    • 2/2
    • half note=60 (Unspecified)
    • C[0b]

    MIDI

  67. Med:o [Fantasia] Francesco da Milano fol.25r Ness App. # 27

    Med:o [Fantasia]

    Francesco da Milano

    fol.25r Ness App. # 27

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  68. D'Amor mi Plains Rogier Pathie - Anon fol.25r - 25v

    D'Amor mi Plains

    Rogier Pathie - Anon

    fol.25r - 25v

    • 2/2
    • half note=60 (Unspecified)
    • F[1b]

    MIDI

  69. Sopra il Mede:mo di B.M. [Fantasia sopra d'amour me plains]

    B. M.

    fol.25v - 26r

    • 2/2
    • half note=50 (Unspecified)
    • C[0b]

    MIDI

  70. [Fantasia] B. M. fol.26r - 27r

    [Fantasia]

    B. M.

    fol.26r - 27r

    • 2/2
    • half note=50 (Unspecified)
    • F[1b]

    MIDI

  71. Giul Seuer:no [Fantasia] Giulio Severino fol.27r-27v

    Giul Seuer:no [Fantasia]

    Giulio Severino

    fol.27r-27v

    • 4/4
    • quarter note=80 (Unspecified)
    • F[1b]

    MIDI

  72. Di Porino Sesto Tono Una voce più basso [Fantasia]

    Pierino Fiorentino

    fol. 27v-28

    • 4/4
    • quarter note=120 (Unspecified)
    • Ab[4b]

    MIDI

  73. Sesto Tono [Fantasia] Giulio Severino fol.28r-28v

    Sesto Tono [Fantasia]

    Giulio Severino

    fol.28r-28v

    • 4/4
    • quarter note=100 (Unspecified)
    • F[1b]

    MIDI

  74. Fabr. Dent. [Fantasia] Fabritio Dentici fol. 28v-29r

    Fabr. Dent. [Fantasia]

    Fabritio Dentici

    fol. 28v-29r

    • 2/2
    • half note=50 (Unspecified)
    • F[1b]

    MIDI

  75. [Fantasia] Anon fol. 29r

    [Fantasia]

    Anon

    fol. 29r

    • 4/4
    • quarter note=120 (Unspecified)
    • Bb[2b]

    MIDI

  76. B.M. [Fantasia] B.M. fol. 29v

    B.M. [Fantasia]

    B.M.

    fol. 29v

    • 4/4
    • quarter note=120 (Unspecified)
    • Ab[4b]

    MIDI

  77. [Fantasia] Anon fol.29v-30r

    [Fantasia]

    Anon

    fol.29v-30r

    • 4/4
    • quarter note=120 (Unspecified)
    • Bb[2b]

    MIDI

  78. Fabr. Dent. [Fantasia] Fabritio Dentici fol.30r-30v

    Fabr. Dent. [Fantasia]

    Fabritio Dentici

    fol.30r-30v

    • 4/4
    • quarter note=75 (Andantino)
    • Bb[2b]

    MIDI

  79. Del Med:o [Fantasia] Fabritio Dentici fol.30v-31r

    Del Med:o [Fantasia]

    Fabritio Dentici

    fol.30v-31r

    • 4/4
    • quarter note=92 (Unspecified)
    • F[1b]

    MIDI

  80. Settimi Toni [Fantasia] Anon fol.31r-31v

    Settimi Toni [Fantasia]

    Anon

    fol.31r-31v

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  81. Fantasia Anon fol.31v

    Fantasia

    Anon

    fol.31v

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  82. [Ricercar] Anonymous fol.32[1]

    [Ricercar]

    Anonymous

    fol.32[1]

    • 2/2
    • half note=60 (Andante)
    • C[0b]
    1. instrument

    MIDI

  83. [Recercata] Francesco da Milano fol.32v Ness #46

    [Recercata]

    Francesco da Milano

    fol.32v Ness #46

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  84. Recercata Francesco da Milano fol 32v Ness #15

    Recercata

    Francesco da Milano

    fol 32v Ness #15

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  85. [Fantasia] Anon fol.33r

    [Fantasia]

    Anon

    fol.33r

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  86. [Ricercar] Anon fol.33v

    [Ricercar]

    Anon

    fol.33v

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  87. [Ricercar] Anon fol. 33v

    [Ricercar]

    Anon

    fol. 33v

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  88. Ricercar Anon fol.34r

    Ricercar

    Anon

    fol.34r

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  89. Recercata Francesco da Milano fol.34r-34v Ness #20

    Recercata

    Francesco da Milano

    fol.34r-34v Ness #20

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  90. Ricercar Anon fol.34v

    Ricercar

    Anon

    fol.34v

    • 4/4
    • quarter note=120 (Unspecified)
    • C[0b]

    MIDI

  91. Dal Libro di F.B. [Fantasia] F.B.? fol.41r [ff.35r-40v empty]

    Dal Libro di F.B. [Fantasia]

    F.B.?

    fol.41r [ff.35r-40v empty]

    • 2/4
    • quarter note=100 (Unspecified)
    • Bbm[4b]

    MIDI

  92. [Fantasia] Anon fol.41r-41v

    [Fantasia]

    Anon

    fol.41r-41v

    • 2/4
    • quarter note=95 (Unspecified)
    • C[0b]

    MIDI

  93. Fantasia F.B.? fol. 42r

    Fantasia

    F.B.?

    fol. 42r

    • 2/4
    • quarter note=90 (Unspecified)
    • G[1#]

    MIDI

  94. Fantasia F.B.? fol.42r-42v

    Fantasia

    F.B.?

    fol.42r-42v

    • 2/4
    • quarter note=120 (Unspecified)
    • Dm[1b]

    MIDI

  95. Fantasia F.B.? fol. 42v

    Fantasia

    F.B.?

    fol. 42v

    • 2/4
    • quarter note=120 (Unspecified)
    • Bb[3b]

    MIDI

  96. Fantasia in Sesquialtera F.B.? fol.43r-44v

    Fantasia in Sesquialtera

    F.B.?

    fol.43r-44v

    • 3/4
    • quarter note=95 (Unspecified)
    • F[1b]

    MIDI

  97. [Fantasia] F.B.? fol.43v-44r

    [Fantasia]

    F.B.?

    fol.43v-44r

    • 2/4
    • half note=45 (Unspecified)
    • F[1b]

    MIDI

  98. [Fantasia] Anon fol.44r-44v

    [Fantasia]

    Anon

    fol.44r-44v

    • 2/4
    • quarter note=100 (Unspecified)
    • Gm[2b]

    MIDI

  99. Fantasia a tre Voci F.B.? fol.44v-45r

    Fantasia a tre Voci

    F.B.?

    fol.44v-45r

    • 2/4
    • quarter note=99 (Unspecified)
    • Dm[1b]

    MIDI

  100. [Fantasia] F.B.? fol.45r

    [Fantasia]

    F.B.?

    fol.45r

    • 2/4
    • quarter note=89 (Unspecified)
    • Fm[4b]

    MIDI

  101. [Fantasia] Francesco da Milano fol.45v-46 Ness #55

    [Fantasia]

    Francesco da Milano

    fol.45v-46 Ness #55

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  102. G.P. [Fantasia] G.P. fol.46r-46v

    G.P. [Fantasia]

    G.P.

    fol.46r-46v

    • 2/4
    • quarter note=115 (Unspecified)
    • Gm[2b]

    MIDI

  103. [Fantasia] Anon fol.47r-47v

    [Fantasia]

    Anon

    fol.47r-47v

    • 4/4
    • quarter note=80 (Unspecified)
    • Gm[2b]

    MIDI

  104. Canzoni Francesi - Petit Jacquet Crequillion f47v-48r

    Canzoni Francesi - Petit Jacquet

    Crequillion

    f47v-48r

    • 2/4
    • quarter note=67 (Unspecified)
    • Dm[1b]

    MIDI

  105. Ardent' amor Anon fol.48r

    Ardent' amor

    Anon

    fol.48r

    • 4/4
    • quarter note=72 (Unspecified)
    • F[1b]

    MIDI

  106. Un mesnagier vieillard Sohier/Orlando di Lasso fol.48v

    Un mesnagier vieillard

    Sohier/Orlando di Lasso

    fol.48v

    • 2/4
    • quarter note=80 (Unspecified)
    • Bb[2b]

    MIDI

  107. Veu le grief mal Villiers, Pierre de fol.49r

    Veu le grief mal

    Villiers, Pierre de

    fol.49r

    • 2/4
    • quarter note=71 (Unspecified)
    • Gm[2b]

    MIDI

  108. Rien n'est plus cher Villiers, Pierre de fol.49v

    Rien n'est plus cher

    Villiers, Pierre de

    fol.49v

    • 2/4
    • quarter note=76 (Unspecified)
    • Dm[1b]

    MIDI

  109. Doulce memoire Sandrin fol. 50r

    Doulce memoire

    Sandrin

    fol. 50r

    • 2/4
    • quarter note=71 (Unspecified)
    • Dm[1b]

    MIDI

  110. La volunté Sandrin fol.50v

    La volunté

    Sandrin

    fol.50v

    • 2/4
    • quarter note=74 (Unspecified)
    • Gm[2b]

    MIDI

  111. Je sens l'affection Boyvin fol.51r

    Je sens l'affection

    Boyvin

    fol.51r

    • 2/4
    • quarter note=77 (Unspecified)
    • G[1#]

    MIDI

  112. Las qu' on congneust Sandrin or Sermisy or Thomas Crequillon? fol.51v

    Las qu' on congneust

    Sandrin or Sermisy or Thomas Crequillon?

    fol.51v

    • 2/4
    • quarter note=85 (Unspecified)
    • Gm[2b]

    MIDI

  113. Dieu des amants Arcadelt fol.52r

    Dieu des amants

    Arcadelt

    fol.52r

    • 2/4
    • quarter note=70 (Unspecified)
    • Bb[2b]

    MIDI

  114. Celle quie fu luy marij

    Anon

    fol.52v

    • 2/4
    • half note=35 (Unspecified)
    • F[1b]

    MIDI

  115. Dames d'honneur vouez mon adventure

    Sandrin

    fol.53r

    • 3/4
    • quarter note=80 (Unspecified)
    • F[1b]

    MIDI

  116. Elle a bien ce ris gracieux Sermisy fol.53v

    Elle a bien ce ris gracieux

    Sermisy

    fol.53v

    • 2/4
    • quarter note=72 (Unspecified)
    • F[1b]

    MIDI

  117. Mais pour quoy Sandrin/Albert de Rippe fol.54r

    Mais pour quoy

    Sandrin/Albert de Rippe

    fol.54r

    • 2/4
    • quarter note=69 (Unspecified)
    • C[0b]

    MIDI

  118. Je cherche autan amour Boyvin fol.54v

    Je cherche autan amour

    Boyvin

    fol.54v

    • 2/4
    • quarter note=75 (Unspecified)
    • Fm[4b]

    MIDI

  119. Or sus, or sus vous dormes Janequin fol.55r-55v

    Or sus, or sus vous dormes

    Janequin

    fol.55r-55v

    • 2/4
    • half note=39 (Unspecified)
    • F[1b]

    MIDI

  120. V(ng) gio (u)r du mati(n)

    Anon

    fol.56r

    • 2/4
    • quarter note=80 (Unspecified)
    • F[1b]

    MIDI

  121. Pour ung petit coup Anon fol.56v

    Pour ung petit coup

    Anon

    fol.56v

    • 2/4
    • half note=50 (Unspecified)
    • G[1#]

    MIDI

  122. Je prens en gre Clemens non Papa fol.57r-57v

    Je prens en gre

    Clemens non Papa

    fol.57r-57v

    • 2/4
    • quarter note=90 (Unspecified)
    • F[1b]

    MIDI

  123. [Pour ung plaisir] Crequillon fol.57v

    [Pour ung plaisir]

    Crequillon

    fol.57v

    • 4/4
    • quarter note=82 (Unspecified)
    • Bb[2b]

    MIDI

  124. Je voys, je viens Anon fol.58r

    Je voys, je viens

    Anon

    fol.58r

    • 2/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  125. Ricercha di Francesco M. Francesco da Milano fol.58v-59r Ness #33

    Ricercha di Francesco M.

    Francesco da Milano

    fol.58v-59r Ness #33

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  126. La Compagna Francesco da Milano fol.59r-59v Ness #34

    La Compagna

    Francesco da Milano

    fol.59r-59v Ness #34

    • 2/4
    • quarter note=101 (Unspecified)
    • Gm[2b]

    MIDI

  127. Ricerchare Anon fol.60r-61r

    Ricerchare

    Anon

    fol.60r-61r

    • 2/4
    • quarter note=140 (Unspecified)
    • G[1#]

    MIDI

  128. fantasia Sig. Andrea. Felitianj Andrea Feliciani fol.60r-61r

    fantasia Sig. Andrea. Felitianj

    Andrea Feliciani

    fol.60r-61r

    • 4/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  129. Fantasia 2.da del med:o Andrea Feliciani fol.61v-62r

    Fantasia 2.da del med:o

    Andrea Feliciani

    fol.61v-62r

    • 4/4
    • quarter note=90 (Unspecified)
    • Gm[2b]

    MIDI

  130. Fantasia 3.a del med:o Andrea Feliciani fol.62r

    Fantasia 3.a del med:o

    Andrea Feliciani

    fol.62r

    • 4/4
    • quarter note=120 (Unspecified)
    • Gm[2b]

    MIDI

  131. Ricerchare Anon fol.62v-66

    Ricerchare

    Anon

    fol.62v-66

    • 2/4
    • quarter note=100 (Unspecified)
    • Gm[2b]

    MIDI

  132. Ricerchare Francesco da Milano fol.66v Ness #28

    Ricerchare

    Francesco da Milano

    fol.66v Ness #28

    • 4/4
    • quarter note=120 (Unspecified)
    • F[1b]

    MIDI

  133. Richercha sopra Benedictus es Colorum Regina

    Anon

    fol.67r-67v

    • 4/4
    • quarter note=120 (Unspecified)
    • G[1#]

    MIDI

  134. Fantasia di F.M. Francesco da Milano fol.68r Ness #30

    Fantasia di F.M.

    Francesco da Milano

    fol.68r Ness #30

    • 4/4
    • quarter note=120 (Unspecified)
    • Cm[2b]

    MIDI

  135. Fabricis Denticj Fantasia Fabritis Dentici fol.68v

    Fabricis Denticj Fantasia

    Fabritis Dentici

    fol.68v

    • 2/2
    • half note=60 (Unspecified)
    • Gm[2b]

    MIDI

  136. Fantasia di Montriste di F.M. Francesco da Milano fol.69r

    Fantasia di Montriste di F.M.

    Francesco da Milano

    fol.69r

    • 4/4
    • quarter note=100 (Unspecified)
    • Gm[2b]

    MIDI

  137. Ricerchare Francesco da Milano Siena fol.69r Ness #43

    Ricerchare

    Francesco da Milano

    Siena fol.69r Ness #43

    • 4/4
    • quarter note=120 (Unspecified)
    • G[1#]

    MIDI

  138. Aluigi Vindella Aluigi Vindella fol.69v

    Aluigi Vindella

    Aluigi Vindella

    fol.69v

    • 2/2
    • half note=50 (Unspecified)
    • Dm[1b]

    MIDI

  139. Fantasia Anonymous fol.70[1]. Bar lines editorial

    Fantasia

    Anonymous

    fol.70[1]. Bar lines editorial

    • 2/2
    • half note=60 (Andante)
    • F[1b]
    1. instrument

    MIDI

  140. Fantasia Anonymous fol.70[2]. Bar lines editorial.

    Fantasia

    Anonymous

    fol.70[2]. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • C[0b]
    1. instrument

    MIDI

  141. Fantasia Amadeo Moretti? fol.70v. Bar lines editorial.

    Fantasia

    Amadeo Moretti?

    fol.70v. Bar lines editorial.

    • 2/2
    • half note=87 (Andante)
    • G[1#]
    1. instrument

    MIDI

  142. Fantasia Anonymous fol.71. Bar lines editorial.

    Fantasia

    Anonymous

    fol.71. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • Am[0b]
    1. instrument

    MIDI

  143. Fantasia Anonymous fol.71v[1]. Bar lines editorial.

    Fantasia

    Anonymous

    fol.71v[1]. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • F[1b]
    1. instrument

    MIDI

  144. Fantasia Anonymous f.71v[2]. Bar lines editorial.

    Fantasia

    Anonymous

    f.71v[2]. Bar lines editorial.

    • 2/2
    • half note=30 (Andante)
    • C[0b]
    1. instrument

    MIDI

  145. Fantasia Anonymous f.72[1]. Bar lines editorial

    Fantasia

    Anonymous

    f.72[1]. Bar lines editorial

    • 2/2
    • half note=30 (Andante)
    • C[0b]
    1. instrument

    MIDI

  146. Fantasia Anonymous fol.72[2]. Bar lines editorial.

    Fantasia

    Anonymous

    fol.72[2]. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • Dm[1b]
    1. instrument

    MIDI

  147. Fantasia Anonymous fol.72v[1]. Bar lines editorial.

    Fantasia

    Anonymous

    fol.72v[1]. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  148. Fantasia Anonymous f.72v[2]. Bar lines editorial.

    Fantasia

    Anonymous

    f.72v[2]. Bar lines editorial.

    • 2/2
    • half note=40 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  149. Fantasia Anonymous fol.73[1]. Bar lines editorial.

    Fantasia

    Anonymous

    fol.73[1]. Bar lines editorial.

    • 2/2
    • half note=35 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  150. Voce a tre [Toccata] Anonymous f.73[2]. Bar lines editorial

    Voce a tre [Toccata]

    Anonymous

    f.73[2]. Bar lines editorial

    • 2/2
    • half note=40 (Andante)
    • F[1b]
    1. instrument

    MIDI

  151. 2:da fol.73[3].

    2:da

    fol.73[3].

    • 2/2
    • half note=35 (Andante)
    • C[0b]
    1. instrument

    MIDI

  152. 3:a fol.73v[1]. Bar lines editorial

    3:a

    fol.73v[1]. Bar lines editorial

    • 2/2
    • half note=40 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  153. 4:a fol.73v[2].

    4:a

    fol.73v[2].

    • 2/2
    • half note=45 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  154. Tocchata di Mj Amidis Moretti 1:a Amidis Moretti f.73v[3]. Bar lines editorial.

    Tocchata di Mj Amidis Moretti 1:a

    Amidis Moretti

    f.73v[3]. Bar lines editorial.

    • 2/2
    • half note=35 (Andante)
    • C[0b]
    1. instrument

    MIDI

  155. Spagna detta lamir:o p:o Modo Anonymous fol.74v.

    Spagna detta lamir:o p:o Modo

    Anonymous

    fol.74v.

    • 3/2
    • half note=100 (Andante)
    • Gm[2b]
    1. instrument

    MIDI

  156. Secondo Modo fol.75r.

    Secondo Modo

    fol.75r.

    • 3/2
    • half note=100 (Andante)
    • F[1b]
    1. instrument

    MIDI

  157. Terzo Modo fol.75v.

    Terzo Modo

    fol.75v.

    • 3/2
    • half note=100 (Andante)
    • Dm[1b]
    1. instrument

    MIDI

  158. Quarto Modo fol.76r.

    Quarto Modo

    fol.76r.

    • 3/2
    • half note=100 (Andante)
    • Fm[4b]
    1. instrument

    MIDI

  159. [Galliard] Anonymous f.112v. Bar lines editorial.

    [Galliard]

    Anonymous

    f.112v. Bar lines editorial.

    • 3/4
    • quarter note=100 (Andante)
    • Ab[4b]
    1. instrument

    MIDI

  160. [Galliard] Guillaume de Vaumesnil fol.113r Bar lines editorial

    [Galliard]

    Guillaume de Vaumesnil

    fol.113r Bar lines editorial

    • 3/4
    • quarter note=100 (Andante)
    • Fm[4b]
    1. instrument

    MIDI

  161. [Allemande] Anonymous fol.113v. ff.114r-118r missing

    [Allemande]

    Anonymous

    fol.113v. ff.114r-118r missing

    • 2/4
    • quarter note=120 (Andante)
    • F[1b]
    1. instrument

    MIDI