page |
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 1
|
ENTREES
DE LUTH / PREMIERE
|
Prelude
|
||
| 2
|
SECONDE
|
Prelude
|
||
| 3
|
TROISIESME
|
Prelude
|
||
| 4
|
QUATRIESME
|
Prelude
|
||
| 5
|
CINQUIESME
|
Prelude
|
||
| 6-7/1
|
SIXIESME
|
Prelude
|
||
| 7/2-8/1
|
SEPTIESME
|
Prelude
|
||
| 8/2-9/1
|
HUITIESME
|
Prelude
|
||
| 9/2-10
|
NEUFIESME
|
Prelude
|
||
| 11/1
|
Ballet
de M. le Daufin / PREMIER CHANT
|
Ballet
de M. le Daufin
|
||
| 11/2-12/1
|
SECOND
|
Ballet
de M. le Daufin
|
||
| 12/2-13/1
|
TROISIESME
|
Ballet
de M. le Daufin
|
||
| 13/2-14/1
|
Ballet
de la Reyne / PREMIER CHANT
|
Queen's
Ballet
|
||
| 14/2
|
SECOND
|
Queen'sBallet
|
||
| 15/1
|
TROISIESME
|
Queen's
Ballet
|
||
| 15/2-16/1
|
COURANTE
|
Courant
|
Fuhrmann
1615 133/2
| |
| 16/2-17
|
ENTREE
DE LUTHS / PREMIER CHANT
|
Prelude
|
Brahe
43
| |
| 18
|
SECOND
|
Prelude
|
Fuhrmann
1615 149 Vallet 1615 54 | |
| 19-20/1
|
TROISIESME
|
Courant
|
Robert
Ballard
|
St
Petersburg 14v/2-15
|
| 20/2-21/1
|
Ballet
des Esclaves / PREMIER CHANT / Mesure grave
|
Ballet
des Esclaves
|
||
| 21/2-22/1
|
SECOND
|
Ballet
des Esclaves
|
||
| 22/2-23/1
|
TROISIESME
|
Ballet
des Esclaves
|
||
| 23/2
|
Ballet
des Contre-Faits d'Amour / PREMIER CHANT
|
Ballet
des Contre-Faits d'Amour
|
||
| 24/1
|
SECOND
|
Ballet
des Contre-Faits d'Amour
|
||
| 24/2-25/1
|
TROISIESME
|
Ballet
des Contre-Faits d'Amour
|
||
| 25/2
|
Ballet
des Insencez / PREMIER CHANT
|
Ballet
des Insencez
|
||
| 25/3-26/1
|
SECOND
|
Ballet
des Insencez
|
||
| 26/2-27/1
|
TROISIESME
|
Ballet
des Insencez
|
||
| 27/2-28/1
|
Ballet
/ PREMIER CHANT / Mesure grave
|
Ballet
|
||
| 28/2
|
SECOND
|
Ballet
|
||
| 29/1
|
TROISIESME
|
Ballet
|
||
| 29/2-31/1
|
Ballet
/ Mesure grave
|
Ballet
|
||
| 31/2-32
|
Ballet
des Dieux
|
Ballet
des Dieux
|
||
| 33/1
|
Ballet
/Mesure grave
|
Ballet
|
||
| 33/2-34/1
|
Ballet
/ Mesure grave
|
Ballet
|
||
| 34/2-35/1
|
Ballet
des Manans
|
Ballet
de Manans
|
||
| 35/2
|
Ballet
/PREMIER CHANT
|
Ballet
|
||
| 35/3-36/1
|
SECOND
|
Ballet
|
||
| 36/2-37/1
|
Ballet
/ PREMIER CHANT
|
Ballet
|
||
| 37/2
|
Ballet
/ PREMIER CHANT
|
Ballet
|
||
| 38/1
|
SECOND
|
Ballet
|
||
| 38/2
|
Ballet
/ PREMIER CHANT
|
Ballet
|
||
| 39/1
|
SECOND
|
Ballet
|
||
| 39/2
|
TROISIESME
|
Ballet
|
||
| 40-41
|
Courante
de la Reyne / PREMIERE COURANTE
|
Courant
de la Reine
|
Robert
Ballard
|
Dd.9.33
43 and 87/2 Schele 57/1 Herbert 64/1 Ballard 1611 40-41 Besard 1617 2/2-3/1 Fuhrmann 1615 164/2 Dolmetsch 213v-214 |
| 42-43
|
SECONDE
|
Courant
de la Reine
|
||
| 44-45/1
|
TROISIESME
|
Courant
de la Reine
|
||
| 45/2-47/1
|
QUATRIESME
|
Courant
de la Reine
|
||
| 47/2-49/1
|
CINQUIESME
|
Courant
La Bontade
|
Robert
Ballard
|
ML
25v/1 Ballard 1611 47-9 Dolmetsch 189v-190 Werl 74 Moy 1631 16 Fuhrmann 1615 163/1 Werl 150 cf: Dolmetsch 60v-61 |
| 49/2-50/1
|
SIXIESME
|
Courant
de la Durette
|
Robert
Ballard
|
ML
18v/2-19/1 Aegidius 102 Valerius 1626 20 Moy 1631 22v-23 Vallet 1615 82 Montbuysson 65v/1 |
| 50/2-52
|
SEPTIESME
|
Courant
de la Reine
|
Robert
Ballard
|
Schele
56/1 Ballard 1611 50/2-52 ML 26/2 |
| 53-54/1
|
HUITIESME
|
Courant
de la Reine
|
||
| 54/2-57/1
|
NEUFIESME
|
Courant
|
St
Petersburg 42v-43v
| |
| 57/2-58/1
|
DIXIESME
|
La
Courant Sarabande
|
?Robert
Ballard
|
ML
29v/1 St Petersburg 37/2 Pickeringe 42 Schele 63/1 Ballard 1614 37/2-39/1 Valerius 1626 239 Aegidius 33 Dolmetsch 20v-21 Stobaeus 53v & 54-54v de Bellis 68 Vallet 1615 83 cf: Moy 1631 24v |
| 58/2-60/1
|
UNSIESME
|
Courant
de la Reine
|
||
| 60/2-62/1
|
DOUSIESME
|
Courant
de la Reine
|
||
| 62/2-64/1
|
Les
Angeliques / PREMIERE
|
Angelica
Courant
|
René
Saman/Robert Ballard
|
cf:
Dowland 1610B 33
|
| 64/2-66
|
SECONDE
|
Angelica
Volt/Courant
|
Robert
Ballard
|
Herbert
43/2 Schele 94/2 |
| 67-68/1
|
TROISIESME
|
Angelica
Courant
|
||
| 68/2-70
|
QUATRIESME
|
Angelica
Courant
|
Werl
72v
| |
| 71-73/1
|
CINQUIESME
|
Angelica
Courant
|
Werl
73v/1
| |
| 73/2-74/1
|
SIXIESME
|
Angelica
Courant
|
Turin
1v-2
| |
| 74/2-76/1
|
SEPTIESME
|
Angelica
Courant
|
||
| 76/2-77/1
|
HUITIESME
|
Courant
|
Schele
56/2 Dd.9.33 64v/2 Ballard 1611 76/2-77/1 (with dvns) | |
| 77/2-79/1
|
NEUFIESME
|
Angelica
Courant
|
||
| 79/2-80
|
DIXIESME
/ Fin des favorites d'Angélique
|
Courant
L'Amoresque
|
Robert
Ballard
|
Philidor
I 10 Ballard 1611 79/2-80 Vallet 1615 84/1 Brahe 19v diff. key: Valerius 1636 35 |
| 81-82/1
|
COURANTE
|
Courant
|
cf:
ML 3v Krakow 12v | |
| 82/2-84/1
|
COURANTE
|
Courant
|
Robert
Ballard
|
Herbert
12v
|
| 84/2-86/1
|
PREMIERE
VOLTE
|
Volt/Courant
|
Robert
Ballard
|
Dowland
1610B 34v St Petersburg 25v-26 |
| 86/2-88/1
|
SECONDE
|
Volt
|
||
| 88/2-90/1
|
TROISIESME
|
Volt
|
||
| 90/2-91/1
|
QUATRIESME
|
Volt
|
Montbuysson
79
| |
| 91/2-92
|
CINQUIESME
|
Volt
|
||
| 93-94
|
SIXIESME
|
Volt
|
| The Lute Page | Julia Craig-McFeely's Thesis | Appendix 2 |