page
|
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 1/1
|
Preludium
|
Prelude
|
||
| 1/2
|
Preambulu[m]
|
Preamble
|
||
| 4/1
|
Phantasia
|
Fantasia
|
||
| 4/2
|
Phantasia
|
Fantasia
|
||
| 5
|
Phantasia
Polonois
|
Fantasia
|
Mertel
1615 199/2-200/1
| |
| 6
|
Phantasia
|
Fantasia
|
||
| 11
|
Courant
|
Courant
|
Schele
60 Besard 1617 3/2
Fuhrmann 1615 170/2
| |
| 14/1
|
Courant
|
Courant
|
||
| 14/2
|
Courant.
|
Courant
|
||
| 15/1
|
Courant
|
Courant
|
||
| 15/2
|
Courant
|
Courant
|
||
| 16/1
|
Courant
|
Courant
|
||
| 16/2
|
Courant
|
Courant
|
||
| 17/1
|
Courant
nouuelle
|
Courant
|
||
| 17/2
|
Courant
Bacy.
|
Courant
|
||
| 17/3
|
Courant
|
Courant
|
||
| 18/1
|
Courant
|
Volt/Courant
|
Julien
Perrichon/ (Mathias Mason)
|
Herbert
27/1 Vilnius 1v/1 and 2/2 Swarland 2v/1 Fuhrmann 1615 171/1 Dd.9.33 75 Dresden 92 de Bellis no.24 Beckmann 9v-10 cf same first strain: Dolmetsch 12v-13 Dlugoraj 253v Aegidius 33v-34 and 36v
Board 29/1
|
| 18/2
|
Vne
Jeune fillette
|
Une
Jeune Fillette/ Nonette
|
John
Dowland [93]/ Daniel Bacheler
|
see
appendix 4
|
| 19/1
|
Courant
|
Courant
|
||
| 19/2
|
Courant
|
Courant
|
Louys
de Moy
|
Moy
1631 18
|
| 21/1
|
Volte
|
Volt/Courant
|
Trinity
2/1 Board 37/2 Dd.4.22 9v ML 3/2 Montbuysson 77v Dolmetsch 105v-106
Nürnberg 71v
| |
| 21/2
|
Volte
|
Volt
|
||
| 22/1
|
Volte
|
Volt
|
Fuhrmann
1615 175
| |
| 22/2
|
Volt
|
Volt
|
||
| 23/1
|
Volt
|
Volt
|
||
| 23/2
|
Volt
|
Volt
|
||
| 23/3
|
Volt
|
Volt
|
||
| 31/1
|
Galiarda
Pipers
|
Earl
of Essex's Galliard/Can She Excuse
|
John
Dowland [42]?
|
see
appendix 4
|
| 31/2
|
Galiard
|
Galliard
|
||
| 32/1
|
Galiarda
|
Galliard
|
||
| 32/2
|
Galiarda
[obscure]
|
Galliard
|
||
| 33/1
|
Courant?
|
|||
| 33/2
|
Galiard
|
Galliard
|
||
| 34/1
|
Galiard
|
Galliard
|
||
| 34/2
|
Galiarda
|
Galliard
|
||
| 35/1
|
Galiarda
|
Walsingham
Galliard
|
John
Dowland?
|
see
appendix 4
|
| 35/2
|
Preludium
|
Prelude
|
||
| 38-39/1
|
Passemeso
ex C.f.b moll: / Secundus modus
|
Passamezzo
|
||
| 39/2
|
Il
suo Saltarello
|
|||
| 39/3
|
Pauana
Philippi
|
Pavan
|
Peter
Phillips
|
|
| 42/1
|
Pass:
|
Passamezzo?
|
||
| 42/2
|
Saltarello
|
Saltarello
|
||
| 43-44
|
Passomeso
ex E la mi en b moll. Martel.
|
Passamezzo
|
Elias
Mertel?
|
|
| 45
|
Passomeso
c fa remi [blotted]
|
Passamezzo
|
||
| 46
|
La
bourre nouuelle
|
Bourrée
|
||
| 47/1
|
Bergamasce
|
Bergamasca
Setting
|
||
| 47/2
|
Saman
|
[n.t.]
|
René
Saman
|
|
| 48/1
|
Pauana
|
Pavan
|
||
| 48/2
|
Pauana
Hispanica
|
Spanish
Pavan
|
||
| 49
|
Branle
6
|
Branle
|
||
| 50/1
|
Pauana
Orlandj
|
Orlando
Sleepeth/ Orlando Furioso
|
John
Dowland [?]
|
see
appendix 4
|
| 50/2
|
Orlandus
|
Orlando
Sleepeth/ Orlando Furioso
|
John
Dowland [61]
|
see
appendix 4
|
| 51/1
|
La
Barriera
|
La
Barriera
|
||
| 51/2
|
[n.t.]
|
|||
| 52/1
|
[n.t.]
|
|||
| 52/2-53/1
|
Bargemasco
Bocquetj
|
Bergamasca
Setting
|
Charles
Bocquet
|
|
| 53/2
|
Lamentatio
|
Lamentation
|
||
| 54-55
|
Passomeze
[obscure] per b moll. / Variatio
|
Passamezzo
|
||
| 61/1
|
Ballet
|
Ballet
|
Fuhrmann
1615 165/2 [exact]
| |
| 61/2
|
Ballet
|
Ballet
|
||
| 62/1
|
Ballet
|
Ballet
|
||
| 62/2
|
Ballet
|
Ballet
|
||
| 63/1
|
Balletto
|
Ballet
|
||
| 63/2
|
Ballet
E. M.
|
Ballet
|
E[lias]
M[ertel?]
|
|
| 64/1
|
Ballet
à cord auelleé
|
Ballet
|
||
| 64/2
|
Ballet
|
Ballet
|
Montbuysson
98 Besard 1603 150/3
Dolmetsch 139v-140
| |
| 65
|
Ballet
|
Ballet
|
||
| 69/1
|
Intrada
|
Intrada
|
||
| 69/2
|
Intrada
|
Earl
ofDerby's Courant/French King's Maske
|
Dd.2.11
61v/2 Board 8/2 Montbuysson 3v/1 Vilnius 57v/3
408/2 111/5
| |
| 71/1
|
Polois
magni florentenj chorea.
|
Chorea
|
||
| 71/2
|
[n.t.]
|
|||
| 72/1
|
Pauana
Aloysons
|
Pavan
|
Richard
Allison?
|
|
| 72/2-73/1
|
In
nomine Pauana
|
In
Nomine Pavan
|
cf:
Hirsch 2v Trumbull 16v-17/1
Dallis 81
| |
| 73/2
|
Hausman.
|
Cupid
|
?Hausmann
|
Brahe
14v
|
| 74
|
Fiamenga
|
Fiamenga
|
||
| 75/1
|
Resuia
sus setz [obscure]
|
[n.t.]
|
||
| 75/2
|
Allemand
|
Almain
|
||
| 76/1
|
Ein
gar abe trauriges Liebekem E. M.
|
[n.t.]
|
E[lias]
M[ertel]
|
|
| 76/2
|
Hausm
finnis lieb dani [obscure]
|
Dance?
|
?Hausmann
|
|
| 77/1
|
Chorea
Anglica
|
English
Dance
|
||
| 77/2
|
Lieb
hatt mien hertz
|
Lieb
Hat Mein Herz
|
||
| 78/1
|
Chorea
E. M.
|
Chorea
|
E[lias]
M[ertel]
|
|
| 78/2
|
Sequitur
chorea Bocqueti
|
Dance
|
Charles
Bocquet
|
|
| 78/3-79/1
|
feinns
Lieb dein ganfsig ohres Haus.
|
Feinns
Lieb
|
||
| 79/2
|
[obscure]
|
[n.t.]
|
||
| 79/3
|
Tantz
|
Dance
|
||
| 80/1
|
Bocquetj
[obscure]
|
[n.t.]
|
Charles
Bocquet
|
|
| 80/2-81/1
|
In
feininngs H
|
[n.t.]
|
?Hausmann
|
|
| 81/2
|
Almand
|
Almain
|
||
| 81/3
|
Ballet
|
Ballet
|
||
| 82/1
|
[obscure]
|
[n.t.]
|
||
| 82/2-83/1
|
Chorea
Mertel
|
[n.t.]
|
||
| 83/2
|
Tanntz
|
Dance
|
||
| 83/3
|
[obscure]
|
[n.t.]
|
||
| 84/1
|
[obscure]
Dantz
|
Dance
|
||
| 84/2
|
Angloises
|
English
...
|
||
| 84/3
|
Tantz
|
Dance
|
||
| 84/4-85/1
|
Jig
Jog [obscure]
|
Ballet
|
Dolmetsch
237v-238
| |
| 85/2
|
[obscure]
Hasle. [?]
|
The
Voice of the Earth/The Ghost [first strain only]
|
Montbuysson
24/2 [frgmt] Folger 7v-8/1
408/2 113/1
| |
| 86/1
|
Chorea
anglica
|
Grimstock
|
Dd.5.78.3
75v/1
| |
| 86/2
|
[obscure]
|
[n.t.]
|
||
| 86/3
|
Nach
tantz
|
Nach
Tanz
|
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