folio
|
original
ascription
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title
|
composer
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cons.
& cogs.
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| 1/1
|
Passemezo.
NOVA TESTVDO. I.B.B. / accordetui x chorus in b fa b mi
|
Passamezzo,
trio part
|
||
| 1/2
|
MAIOR
TESTVDO
|
Passamezzo,
trio part
|
||
| 1/3
[inv]
|
Passemezo.
TESTVDO MINOR. I.B.B. accordetur x chorus in B fa b mi
|
Passamezzo,
trio part
|
||
| 2/1
|
2
pars Passem. NOVA TESTVDO
|
Passamezzo,
triopart
|
||
| 2/2
|
TESTVDO
MAIOR.
|
Passamezzo,
trio part
|
||
| 2/3
[inv]
|
3
Pars Pass. NOVA TESTVDO
|
Passamezzo,
trio part
|
||
| 2/4[inv]
|
TESTVDO
MAIOR.
|
Passamezzo,
trio part
|
||
| 3/1
|
2
pars passem TESTVDO MINOR.
|
Passamezzo,
trio part
|
||
| 3/2
[inv]
|
3
Pars pass. TESTVDO MINOR.
|
Passamezzo,
trio part
|
||
| 4/1
|
Vne
Jeune fillette NOVA TESTVDO I.B.B. accordetur x chorus in b. fa b mi.
|
Une
Jeune Fillette, trio part
|
cf:
see appendix 4
| |
| 4/2
|
TESTVDO
MAIOR
|
Une
JeuneFillette, trio part
|
Besard
1617 5/2 and 6/2
cf: see appendix 4
| |
| 4/3
[inv]
|
Vne
Jeune fillette TESTVDO MINOR. I.B.B. accordetur x chorus in b fa b mi.
|
Une
Jeune Fillette, trio part
|
cf:
see appendix 4
| |
| 5/1
|
2
pars precedentis modNOVA TESTVDO.
|
Une
Jeune Fillette, trio part
|
Besard
1617 6/3
cf: see appendix 4
| |
| 5/2
|
TESTVDO
MAIOR.
|
Une
Jeune Fillette, trio part
|
Besard
1617 4/2 and 6/2
cf: see appendix 4
| |
| 5/3
[inv]
|
2
pars precedentis mod: TESTVDO MINOR.
|
Une
Jeune Fillette, trio part
|
cf:
see appendix 4
| |
| 6/1
|
3
pars superioris mod: NOVA TESTVDO.
|
Une
Jeune Fillette, trio part
|
cf:see
appendix 4
| |
| 6/2
|
TESTVDO
MAIOR.
|
Une
Jeune Fillette, trio part
|
Besard
1617 4/2 and 5/2
cf: see appendix 4
| |
| 6/3
[inv]
|
3
pars superioris mod. TESTVDO MINOR.
|
Une
Jeune Fillette, trio part
|
Besard
1617 5/1
cf: see appendix 4
| |
| 7/1
&8/1
|
Lachrimæ
J.Dooland à I.B.B. in hanc concert. accommodatæ NOVA TESTVDO /
accordetur x chorus in B fa b mi. / continuatio Lachl: J. Dooland. NOVA
TESTVDO
|
Lachrimae,
trio part
|
cf:
see appendix 4
| |
| 7/2
&8/2
|
TESTVDO
MAIOR
|
Lachrimae,
trio part
|
cf:
see appendix 4
| |
| 7/3
[inv] & 8/3 [inv]
|
Lachrimæ
J. Dooland a I.B.B. ad vsum huius concert. accommodatæ. TESTVDO MINOR
accordetur x chorus in B fa b mi. / continuatio Lachl: J. Dooland. NOVA
TESTVDO
|
Lachrimae,trio
part
|
cf:
see appendix 4
| |
| 9/1
|
en
Reuenant de Saint Nicolas.NOVA TESTVDO. I.B.B.
|
En
Me Revenant, trio part
|
Daniel
Bacheler
|
cf:
see appendix 4
|
| 9/2
|
TESTVDO
MAIOR. accordetur x chorus in B. fa b mi
|
En
Me Revenant, triopart
|
Daniel
Bacheler
|
cf:see
appendix 4
|
| 9/3
[inv]
|
en
Reuenant de Saint Nicolas I.B.B. TESTVDO MINOR.
|
En
Me Revenant, trio part
|
Daniel
Bacheler
|
cf:
see appendix 4
|
| 10/1
|
ballo
del gran Duca I.B.B. NOVA TESTVDO.
|
Ballo
de Gran Duca, trio part
|
||
| 10/2
|
TESTVDO
MAIOR accordetur x chorus in B fa b mi
|
Ballo
de Gran Duca, trio part
|
||
| 10/3
[inv]
|
Ballo
del gran Duca I.B.B. TESTVDO MINOR.
|
Ballo
de Gran Duca, trio part
|
||
| 11/1
|
la
follie saltus Hispanicus. I.B.B. NOVA TESTVDO.
|
Spanish
Dance, trio part
|
Johan
Baptiste Besard
|
Dolmetsch
207v-208
|
| 11/2
|
TESTVDO
MAIOR. accordetur x chor in b fa b mi
|
Spanish
Dance, trio part
|
||
| 11/3
[inv]
|
La
folliesaltus Hispanicus. I.B.B. TESTVDO MINOR.
|
Spanish
Dance, trio part
|
||
| 12/1
|
Salrus
German I.B.B. NOVA TESTVDO. accordetur x chor. in E la my duro
|
German
Dance, trio part
|
||
| 12/2
|
TESTVDO
MAIOR. accordetur x chorus in b fa b mi
|
German
Dance, trio part
|
||
| 12/3
[inv]
|
Saltus
Germ. I.B.B. TESTVDO MINOR.
|
German
Dance, trio part
|
||
| 20/1
& 21/1
|
Simphonia
I.B.B. NOVA TESTVDO. / continuario simph. antecedentis.
|
Sinfonia,
trio part
|
||
| 20/2
& 21/2
|
TESTVDO
MAIOR.
|
Sinfonia,
trio part
|
||
| 20/3
[inv] & 21/3 [inv]
|
Simphonia
I.B.B. TESTVDO MINOR. / continuatio simph. ante.
|
Sinfonia,
trio part
|
||
| 22/1
& 23/1
|
alia
Simphonia eiusdem per triplum NOVATESTVDO.
|
Sinfonia,
trio part
|
||
| 22/2
& 23/2
|
TESTVDO
MAIOR.
|
Sinfonia,
trio part
|
||
| 22/3
[inv] & 23/3 [inv]
|
Alia
simphonia eiusdem per triplum TESTVDO MINOR.
|
Sinfonia,
trio part
|
||
| 24/1
|
Courante
TESTVDO MAIOR.
|
Courant,
duet part
|
Jacob
Reys
|
Aegidius
105v Dolmetsch 14v-15
Besard 1603 156v/2
|
| 24/2
|
Courante.
I.B.B. TESTVDO MINOR. accordetur in omnibus hisce modulis x chorus in b fa b
mi
|
Courant,
duet part
|
||
| 25/1
|
Courante
TESTVDO MAIOR.
|
Courant,
duet part
|
Dolmetsch
15v-16
| |
| 25/2
|
Courante
|
Courant,
duet part
|
Dolmetsch
16v-17
| |
| 25/3
[inv]
|
Courante
I.B.B. TESTVDO MINOR
|
Courant,
duet part
|
||
| 25/4
[inv]
|
Courante
I.B.B.
|
Courant,
duet part
|
||
| 26/1
|
Courante
Philis TESTVDO MAIOR
|
Courant
Philis, duet part
|
Dolmetsch
17v-18
Ballard 1613 22v
| |
| 26/2
|
Courante
|
Courant
Le Testament, duet part
|
Johan
Baptiste Besard
|
Aegidius
106 Dolmetsch 18v-19 Vilnius 4v/2 Besard 1617 26/2 Ballard 1614 33/2-35 4th up: ML 26v/2-27/1 Herbert 30/2 Dolmetsch 178v-179 Vilnius 4v/1 Besard 1603 156/2 Dd.9.33 56v/1 Nürnberg 20 and 27
Moy 1631 10
|
| 26/3
[inv]
|
Courante
I.B.B. TESTVDO MINOR
|
Courant,
duet part
|
||
| 26/4
[inv]
|
Coarante
I.B.B.
|
Courant,
duet part
|
||
| 27/1
|
Volte
du tambour TESTVDO MAIOR. accordetur 8 in e la mi duro
|
Volt
Tambourine, duet part
|
Besard?
|
cf:
Dolmetsch 104v
|
| 27/2
|
Canaries
|
Canaries,
duet part
|
cf:
Dolmetsch 193v-194
| |
| 27/3
|
Ballet
in forma echo qui primo totus ad finem... [etc.]
|
Ballet,
duet part
|
Dolmetsch
133v-134
| |
| 28/1
|
Branles
de village. TESTVDO MAIOR.
|
Branles
de Village, duet part
|
Ballard
1614 53-55 Vallet 1616 12-14/6
Dolmetsch 235
| |
| 29/1
|
Præambulum.
I.B.B.
|
Preamble
|
Johan
Baptiste Besard
|
|
| 29/2
|
aliud
Præamb.
|
Preamble
|
Johan
Baptiste Besard
|
|
| 30
[inv]
|
Toccata
delSignor MichelAngelo Galilei fiorentino
|
Toccata
|
Michelagnolo
Galilei
|
|
| 31
|
Toccata
dellistesso
|
Toccata
|
Michelagnolo
Galilei
|
Mylius
1622 17
|
| 32
[inv]
|
Toccata
Cromatica del Signor Vicenzo Bernia Bollognese.
|
Toccata
|
Vincenzo
Bernia
|
Mylius
1622 21/2
|
| 33-34
[inv]
|
Ricercar
dell'istesso sopra ut re mi fa sol la / continuatio moduli antecede[n]tis
|
Ricercar
|
||
| 35
|
Ricercar
del Signor Stefano da Pesaro gia Musicodel Serenissimo Duca di Vrbino
|
Ricercar
|
Stefano
da Pesaro
|
|
| 36
[inv]
|
Gagliarda
del signor Pietro Paulo Meli musico Cesareo
|
Galliard
|
Pietro
Paulo
|
|
| 37/1
|
Gagliarda
del signor Jacob gia chiamato il Polloneze
|
Galliard
|
Jacob
Reys
|
Dolmetsch
71v-73
|
| 37/2
|
galliarda
eiusdem authoris
|
Galliard
|
Jacob
Reys
|
|
| 38
[inv]
|
Courante
- du Sieur de la Barre.
|
Courant
|
La
Barre
|
Aegidius
49v-50
Dolmetsch 266v-267
|
| 39
|
Courante
mise par I.B.B.
|
Courant
|
Johan
Baptiste Besard
|
|
| 40/1
[inv]
|
Courante
appellee CLORIS.
|
Courant
Cloris
|
Aegidius
102v
Dolmetsch 43v-44
| |
| 40/2
[inv]
|
Volte
appellee La Samaritainne
|
Volt,
The Samaritan
|
Aegidius
74
Dolmetsch 51v-52
| |
| 41
|
Courante
du Sieur de la Grotte
|
Courant
|
La
Grotte
|
Dolmetsch
53v-55 and 181v-184v
Aegidius 107v-108
|
| 42/1
|
Courante
du Sieur Samand. / accordetur 8 chorus in elami duro
|
Courant
|
René
Saman
|
|
| 42/2
|
aultre
Courante
|
Courant
|
Johan
Baptiste Besard
|
Aegidius
123v-124
Dolmetsch 68v-69
|
| 42/3
|
Courante
de I.B.B. pour le nouveau lhut. / accordetur 10 chor. in b fa b mi.
|
Courant
|
Johan
Baptiste Besard
|
|
| 43/1
|
Courante
du Sieur Mesangeau / Hanc choream Gallicam peritissimus Mus. Col. mavl.in
gratia auth.composuit.
|
Courant
|
Mesangeau
|
Basle
12v-13 Aegidius 9v-10
Dolmetsch 63v-64
|
| 43/2
|
Ballet
|
French
Toy/Ballet
|
Besard
1603 43 Nn.6.36 9/2 Fuhrmann 1615 148/2 Mylius 1622 89/1 Sibley 36/1 de Bellis no.30 Thysius 381v
Vallet 1616 1/3
| |
| 44/1
|
Volte
de J.B.B. / accordetur in hisce 2 mod. octauus chorus in e la mi duro.
|
Volt
|
Johan
Baptiste Besard
|
|
| 44/2
|
Ballet
de I.B.B.
|
Ballet
|
Johan
Baptiste Besard
|
Mylius
1622 89/2
|
| 45/1
|
Branles
nouveaux de I.B.B.
|
Branle
|
Johan
Baptiste besard
|
|
| 45/2
|
2
|
Branle
|
Johan
Baptiste Besard
|
|
| 45/3
|
3
|
Branle
|
Johan
Baptiste Besard
|
|
| 45/4
|
4
|
Branle
|
Johan
Baptiste Besard
|
|
| 46
|
Canzonetta
del Sig: Marco Antonio Ballek fatta sopra il ballo concertato a 3 liuti fol.12
/ accordetur 8 chorus in Elami duro.
|
Canzonetta
|
Marc
Antonio Ballek
|
cf:
Richard 21v
|
| 47/1
|
Gallus
et Gallina D. Vicent. Bernia
|
Gallus
et Gallina
|
Vincenzo
Bernia
|
|
| 47/2
|
Campanæ
Parisienses Incerti authoris.
|
The
Bells of Paris
|
Gauthier
|
Herbert
42/2 [first 21 bars only]
|
| 48
|
Branlequondam
Laurencini nunctipatum
nunc Vero a IBB ad vsum nouæ suæ Testudinis accommodatu[m]
|
Branle
|
Johan
Baptiste Besard
|
|
| 49/1
|
Bergamasco
I.B.B ad/vsum nouæ Testudinis. Accord.8 in ELAMI: duro / ubicumque tale
signil vides ibi scias vnicam esse manus dextræ percussionem.
|
Bergamasca
|
Johan
Baptiste Besard
|
|
| 49/2
|
Canaria
Accord.x in b fa b mi
|
Canaries
|
||
| 50
|
Simphonia
I.B.B
|
Symphonia
|
Johan
Baptiste Besard
|
|
| 51
|
Volte
de guerre. I.B.B.
|
Battle
Volt
|
Johan
Baptiste Besard
|
|
| 52
|
Passemezo.
in C.sol faut luro [sic] pro noua testudine. I.B B / Secunda pars
|
Passamezzo
|
Johan
Baptiste Besard
|
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