folio
|
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 4
|
Phantasia
fugate.
|
Fantasia
|
Dolmetsch
260v-261v
Aegidius84v-85 and 146v-147
| |
| 4v-5/1
|
Præludium
|
Prelude
|
||
| 5/2
|
Aliud
|
Prelude
|
||
| 5/3
|
Aliud
|
Prelude
|
||
| 5/4
|
Aliud
|
Prelude
|
||
| 5v/1
|
Loreta.
|
Loretta
|
||
| 5v/2-6/1
|
Pasamezo
alias Der Passanheurer [?]
|
Passamezzo
|
||
| 6/2
|
Woll
Bets ich keute singrau p[er] Frid. Lin. [?]
|
[n.t.]
|
||
| 6/3
|
Præludium
Lin. [?]
|
Prelude
|
||
| 9v/1
|
Præludiu[m]
G[r]
|
Prelude
|
||
| 9v/2-10
|
Aliud
prælud:
|
Prelude
|
||
| 15v/1
|
Vaulte.
|
Volt
|
||
| 15v/2
|
Aquinton
|
Aquinton
|
||
| 16-16v/1
|
[n.t.
not v.t.]
|
|||
| 16v/2
|
Bra[n]sle
|
Branle[not
v.t.]
|
||
| 16v/3-17/1
|
Bransle
|
Branle
[not v.t.]
|
Besard
1603 147/2-147v/1
| |
| 17/2
|
Courant
Petro Moro.
|
Courant
[notv.t.]
|
||
| 17/3-17v/1
|
Courant
[not v.t.]
|
|||
| 17v/2
|
Courant
[not v.t.]
|
|||
| 18/1
|
Galliarda.
|
Galliard
[not v.t.]
|
||
| 18/2-18v/1
|
Galliard
[not v.t.]
|
|||
| 18v/2-19/1
|
Galliard
[not v.t.]
|
|||
| 19/2-19v/1
|
Branle
|
Branle
[not v.t.]
|
||
| 19v/2
|
Branle
Gay [not v.t.]
|
cf
1st strain: Besard 1603 147v/2
Dolmetsch 283
| ||
| 19v/3
|
Daß
Bergliedt.
|
Das
Berglied
|
||
| 20/1
|
Das
Berglied
|
|||
| 20/2
|
Aliud
|
Das
Berglied
|
||
| 21v-22v/1
|
PAVAN
Lacrymæ
|
Lachrimae
Pavan
|
John
Dowland [15]
|
see
separate list
|
| 22v/2
|
Pavan
Hispan:
|
Spanish
Pavan
|
Francis
Pilkington
|
see
appendix 4
|
| 23/1
|
Aliter
|
Spanish
Pavan
|
||
| 23/2-23v
|
Aliter
danse
|
Dance
|
||
| 24v
|
Plura
Exempla
|
Example
|
||
| 29v/1
|
Pavana
Engla homo
|
Pavan
|
||
| 29v/2
|
[obscure]
|
Pavan[?]
|
||
| 29v/3
|
Præludium
|
Prelude
|
||
| 30/1
|
BALLET
|
Ballet/Almain
|
Robert
Johnson
|
Board
40/4-40v/1 and 30/3 Vallet 1616 1/1 and 30-31 Krakow 1/1
Dolmetsch 130v
|
| 30/2
|
Alia.
/ Variatio præc
|
Ballet
|
||
| 30v/1
|
Balletto
Venete
|
Ballet
|
||
| 30v/2
|
Ronda
|
Ronde
|
||
| 31/1
|
haute
N [n]
|
[n.t.]
|
||
| 31/2-31v/1
|
Litt.
in [obscure] [?]
|
Almain
|
cf:
Trinity 2/2-3/1
| |
| 31v/2-32
|
Balletto
[obscure]
|
Ballet
|
||
| 43v/2
|
Galliarda
Angloise.
|
Galliard,
Sweet Margaret
|
cf:
Hove 1612 66/2 Valerius 142-43 Vallet 1615 35 Eijsertt 93v Dlugoraj 196 Vilnius 22 and 57/4 Drexel 90
Linz 92
| |
| 44/1
|
GALLIARDA
Angloise.
|
Galliard
|
Vallet
1615 35 cf: Hove 1612 66/2 Valerius 1626 142-43 Eijsertt 93v Dlugoraj 196 Vilnius 22 and 57/4 Drexel 90
Linz 92
| |
| 44/2
|
Zinckpass
|
Sinkapace
Galliard
|
see
appendix 4
| |
| 44v/1
|
Galliard
|
Galliard
|
||
| 44v/2-45/1
|
Galliard
Lacrymæ
|
Lachrimae
Galliard
|
John
Dowland [46]
|
see
appendix 4
|
| 45/2
|
Aufzug
[obscure] A mer mein [hertz] [obscure]
|
Galliard
|
||
| 45/3
|
Galliarda
|
Galliard
|
||
| 45/4
|
Galliard
[?]
|
|||
| 45v/1
|
Courant
|
Aegidius41 Dolmetsch 235v
cf: Nürnberg 62v
| ||
| 45v/2
|
Galliarda
comm:
|
Galliard
|
||
| 45v/3-46/1
|
Galliarda
Habra [?]
|
Galliard
|
||
| 46/2
|
Galliarda
Anglica Testud. min
|
Galliard,
duet part
|
||
| 46/3
|
Test.
maj.
|
Galliard,
duet part
|
||
| 49/1
|
CURANTEN
|
Courant
|
Aegidius138
| |
| 49/2
|
Alia.
|
Courant
|
||
| 49v/1
|
Courant
sans Chanterell.
|
Courant
|
||
| 49v/2-50/1
|
Ich
habe mein Lieyenen Zum Tantze furet Curante.
|
[n.t.]
|
||
| 50/2
|
Schön
[obscure]
|
[n.t.]
|
||
| 50v/1
|
Du
bin Ich durch liebe zu trawren gebracht
|
[n.t.]
|
||
| 50v/2
|
C[o]urante.
|
Courant
|
||
| 51/1
|
Das
unse Magdse [n] [?]
|
[n.t.]
|
||
| 51/2
|
So
soltu doch mein Liebchensein.
|
Courant
|
Michael
Praetorius
|
Montbuysson
12v/1 Stobaeus 51/2
Besard 1617 1/1
|
| 51v/1
|
C[o]urante
|
Courant
|
||
| 51v/2
|
Courante
|
Courant
|
||
| 51v/3
|
Courante.
|
Courant
|
||
| 51v/4-52/1
|
Courante
|
Courant
|
||
| 52/2
|
Courante
frans Kaps
|
Courant
|
||
| 52/3
|
Courant
|
Courant
|
||
| 52v/1
|
Courante
Mad[n]
|
Courant
|
||
| 52v/2
|
Courant
|
Courant
|
||
| 53/1
|
Courant
Johann [?]
|
Courant
|
Johann
?
|
|
| 53/2
|
C[o]urante
Spanniolette
|
Courant
Spanniolette
|
||
| 53v/1
|
Curante
Sarabande
|
La
Courant Sarabande
|
?Robert
Ballard
|
see
appendix 4
|
| 53v/2
|
Alia
/ Cour:
|
Courant
|
||
| 54/1
|
Courant
La vigno[n]
|
L'Avignon
|
Vallet
1615 80/1 Aegidius 104 [It. tabl.] Philidor I 8 Drexel 80-81 Basle 1v-2v/1 Ballard 1611 26 Valerius 1626 175-6 Moy 1631 26v cf: Dolmetsch 66v-67v and 183 Moy 1631 27
St Petersburg 41v-42
| |
| 54/2-54v/1
|
Cur:
Sarabande
|
La
Courant Sarabande
|
?Robert
Ballard
|
see
appendix 4
|
| 54v/2
|
Courant
|
Courant
|
||
| 65-65v/1
|
MORE
PALATINO.
|
More
Palatino/En Me Revenant
|
Daniel
Bacheler
|
see
appendix 4
|
| 65v/2
|
Aliud
|
More
Palatino/En Me Revenant
|
see
appendix 4
| |
| 65v/3
|
Aliud
|
More
Palatino/En Me Revenant
|
see
appendix 4
| |
| 66/1
|
More
pal.
|
More
Palatino/En MeRevenant
|
see
appendix 4
| |
| 66/2
|
Aliud
More
|
More
Palatino/En Me Revenant
|
see
appendix 4
| |
| 66v
|
aliter
[obscure]
|
?More
Palatino/En Me Revenant
|
see
appendix 4
| |
| 68-69/1
|
BERGAMESCO
|
Buffoons,
Bergamasca Setting
|
Giovanni
Battista Domenico
|
see
appendix 4
|
| 69/2
|
Bergemasco.
|
Bergamasca
|
cf:
Buffoons
| |
| 69/3
|
Aliter
[?] Bergamo
|
Bergamasca
|
cf:
Buffoons
| |
| 69/4-69v/1
|
Aliter
Th. Lind. Lus. [?]
|
Bergamasca
|
cf:
Buffoons
| |
| 69v/2
|
[n.t.]
|
|||
| 70
|
[n.t.]
|
|||
| 72/1
|
CHOREÆ
POLONICÆ
|
Polish
Dance
|
||
| 72/2
|
Alia.
|
Polish
Dance
|
||
| 72/3
|
Alia.
|
Polish
Dance
|
||
| 72v/1
|
Alia.
|
Polish
Dance
|
||
| 72v/2
|
Alia
|
Polish
Dance
|
Vilnius26v/2
& 26v/3 [first strain only]
| |
| 72v/3
|
Proportio
|
Proportio
|
||
| 73/1
|
Alia
Modul
|
Proportio
|
||
| 73/2
|
Alia
|
Proportio
|
||
| 73/3
|
Alia
/ Kaes und Broth.
|
Proportio
|
||
| 73/4
|
Alia
|
Proportio
|
||
| 73/5
|
[obscure]
|
Proportio
|
||
| 73v/1
|
Alia
|
Proportio
|
||
| 73v/2
|
Alia
|
Proportio
|
||
| 73v/3
|
Alia
|
Proportio
|
||
| 73v/4-74/1
|
Alia
|
Proportio
|
||
| 74/2
|
Alia.
|
Proportio
|
||
| 74/3
|
Alia
Litt.
|
Proportio
|
Johann
Stobaeus
|
|
| 74v/1
|
Saradri
cziczxz Litt.
|
[n.t.]
|
||
| 74v/2
|
Doratra
|
Doratra
|
||
| 74v/3
|
[obscure]
|
[n.t.]
|
||
| 74v/4
|
[obscure]
|
[n.t.]
|
||
| 74v/5
|
Chorea
|
Chorea
|
||
| 75
|
Fratzosisch
Liedlein
|
French
songlet
|
||
| 75v
|
Ein
Trage Lied
|
Chanson
|
||
| 76/1
|
Chanzon
Angloise Ach wie bin ich von [hertz] betrübt
|
Chanson
|
||
| 76/2
|
Wo
soll ich bin wer wundt ich bin
|
Wo
Sol Ich Bin
|
||
| 76v/1
|
Chanzon
Wundlein roth wohinen
|
Chanson
|
||
| 76v/2
|
Chanzon
|
Chanson
|
||
| 76v/3-77/1
|
Labellana
Fran
|
La
Bella Franciscana
|
||
| 77/2
|
Curante
Dis wie bin [obscure] [hertz]
|
Courant
|
||
| 77/3
|
Chor.
Pol.
|
[n.t.]
|
||
| 77v/1
|
Labella
Franciscana
|
Labella
Franciscana
|
||
| 77v/2
|
Wündlein
[?]
|
[n.t.]
|
||
| 77v/3
|
Littawe
Engelsche Leuffauch [?]
|
[n.t.]
|
||
| 78/1
|
Al
man mor.
|
Almain
Mor
|
||
| 78/2
|
Dannenbaum
|
Tannenbaum
|
||
| 78/3
|
[n.t.]
|
|||
| 78v/1
|
Ein
du feiner Reuter / Proport
|
[n.t.]
|
||
| 78v/2
|
Viel
trawrewin meinem [hertz]
|
[n.t.]
|
||
| 79/1
|
Von
den schonen Jungfrewlein
|
Von
den schönen Jungfreulein
|
||
| 79/2
|
Alit:
|
Von
den schönen Jungfreulein
|
||
| 79/3
|
Proportio.
|
Proportio
|
||
| 79/4
|
Habe
ich doch all mein tag nicht gedacht
|
Habe
Ich Doch
|
||
| 79v/1
|
[obscure]
|
[n.t.]
|
||
| 79v/2
|
Komb
mein [?]
|
The
Hunt's Up/Go Merrily While
|
N
|
Thysius
472/1 Vilnius 15/4 cf: Dlugoraj 490 408/2 104/3
and cf: see appendix 4
|
| 79v/3
|
Anglicu[m]
|
English
Hunt's Up.
|
||
| 79v/4
|
Von
der Fortuna.
|
Fortune
|
||
| 79v/4
|
Auff
mein gesang
|
Auff
Mein Gesang
|
||
| 81/1
|
Beij
mir mein [hertz]
|
Bey
Mir Mein Hertz
|
V[alentin]
H[ausmann]
|
cf:
Vilnius 12v/4 Nauclerus 76
Fabritius no.7
|
| 81/2
|
Blaue
zarnund waißen Zerirsche [?]
|
La
Bourrée/ Parson's Farewell
|
N
B/Robert Parsons?
|
Vilnius
16/5 cf: Praetorius 1612 no.23
Playford 1651 9
|
| 81/3
|
Alio
modo
|
Bourrée
|
||
| 81/4
|
Als
ein Studente spatzie rete
|
[n.t.]
|
||
| 81v/1
|
Mus
den die freue mein
|
[n.t.]
|
||
| 81v/2
|
List
und nein jederzuff [obscure]
|
[n.t.]
|
||
| 82/1
|
Von
den Schönen Ju[n]g frawlein
|
[n.t.]
|
||
| 82/2
|
Grüsse
dich Gott mein [obscure]
|
[n.t.]
|
||
| 82/3
|
[obscure]
|
[n.t.]
|
||
| 85
|
[obscure]
|
[n.t.]
|
||
| 87v/1
|
[obscure]
|
[n.t.]
|
||
| 87v/2
|
[n.t.]
|
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