folio
|
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 10/1
|
Les
Boffons
|
Buffoons
|
||
| 10/2
|
Bergamasco
|
Bergamasca
|
Brahe
18/2 cf: Thysius 397 Vilnius 64v/3 Stobaeus 69/2, 69/3 and 69/4-69v/1
Straloch 1/1
| |
| 10v/1
|
Balletto
francovis
|
Sellenger's
Round/ Est-ce Mars/The French Tune
|
see
appendix 4
| |
| 10v/2-11/1
|
Symbell
|
Symbell
|
||
| 11/2
|
Teutscherdantz
|
German
Dance
|
||
| 11/3
|
Nachdans
|
Nachdanz
|
||
| 11v/1
|
Teutscher
Dans
|
German
Dance
|
||
| 11v/2
|
Nach
Dantz
|
Nachdanz
|
||
| 12
|
Balletto
|
Ballet
|
||
| 12v
|
Corante
pastorelle
|
Courant
Pastoral
|
Thysius
426/2
| |
| 13
|
Wolte
francovise
|
Volt
|
||
| 13v-14/1
|
Balleto
|
Ballet/Favorite
|
Brahe
26-26v
| |
| 14/2
|
Vtaff
Fortuna
|
Fortune
My Foe
|
John
Dowland
|
see
appendix 4
|
| 14v
|
Cupido
|
Cupid
|
Husmann?
|
Bautzen
73/2
|
| 15
|
Balletto
cauda
|
Ballet
|
||
| 15v-16
|
Galiarda
the frog
|
Frog
Galliard/Now O Now
|
John
Dowland [90]
|
Schele
144/2-145/1 Dd.2.11 40v/2 and 93/2 Euing 26v-27/1 Folger 12v Cosens 42v-43/1 Vilnius 21/1 and 22v/1 (duets)
Thysius 28v
|
| 16v-17/1
|
Balletto
|
Sir
John Smith's Almain
|
John
Dowland [47]
|
Dowland
1610B 30v/2-31 Ballet 7/1 (dt?) Marsh 384 ML 8v/1 Folger 13v-14/1 2764(2) 10 Schele 148/2 (cnst)
Thysius 503
|
| 17/2
|
Puer
natùs in Bethlehem
|
Puer
Natus inBethlehem
|
||
| 17v-18/1
|
Curante
Francovis
|
Courant
|
||
| 18/2
|
Bergamasco
|
Bergamasca
|
Brahe
10/2 cf: Thysius 397 Vilnius 64v/3 Stobaeus 69/2, 69/3, 69/4-69v/1
Straloch 1/1
| |
| 18v-19
|
Ballo
in Echo
|
Intrada,
Ballo in Echo
|
Dolmetsch
146v-147
| |
| 19v
|
Curante
La Muresq[ue]
|
Courant
L'Amoresque
|
Robert
Ballard
|
Philidor
I 10 Ballard 1611 79/2-80 Vallet 1615 84/1 Brahe 19v
diff. key: Valerius 1626 35
|
| 20
|
Pavana
|
Spanish
Pavan
|
Vallet
1615 18
| |
| 20v-21
|
Amor
|
Amour
|
||
| 21v-22
|
Teuscher
Dantz
|
German
Dance
|
||
| 22v-23
|
Wär
gudh ähr oss en wäldig borgh
|
War
Gudh
|
||
| 23v-24
|
Phantasia
|
Fantasia
|
||
| 24v-25
|
Von
himell hoch da kom ich här
|
Von
Himmel Hoch
|
||
| 25v-26/1
|
Galiarda
Englese
|
Lady
Rich's Galliard/Dowland's Bells
|
JohnDowland
[43]
|
see
appendix 4
|
| 26-26v
|
Favorite
|
Ballet/Favorite
|
Brahe
13v
| |
| 27
|
Galiarda
dù passameta
|
Passamezzo
Galliard
|
||
| 27v-31
|
Fùga
|
Fantasia
|
John
Dowland [74]
|
Dowland
1610B 15-16 Cosens 8v-9 31392 13v-14v/1 and 24 ML 14v-15 Pickeringe 24v-25/1 Besard 1603 170v-171v/1 Euing 16v-17
Mertel 1615 226/2-228/1
|
| 31v
|
Polensk
Dantz
|
Polish
Dance
|
||
| 32-32v
|
Nun
kom der heijden heijland
|
Nun
Komm der Heiden Heiland
|
||
| 33
|
Galiarda
Englese
|
Battle
Galliard/ King of Denmark's Galliard/Mr Mildmay's Galliard
|
John
Dowland [40]
|
see
appendix 4
|
| 33v
|
Prælùdiùm
|
Prelude
|
Vallet
1615 2/2
| |
| 34-34v
|
Corante
|
Courant
|
Dolmetsch
185v-186
Nürnberg 53v
| |
| 35-35v/1
|
Ich
danche dir Liber herre e Morge[n]teg
|
Ich
Danke Dir
|
||
| 35v/2-36
|
More
Palatino
|
More
Palatino/En Me Revenant
|
Daniel
Bacheler
|
see
appendix 4
|
| 36v
|
Galiarda
Engles
|
Courant
|
Joachim
van den Hove
|
Hove
1612 64/2
|
| 37
|
More
palatino
|
More
Palatino/En Me Revenant
|
Daniel
Bacheler
|
see
appendix 4
|
| 37v
|
Liebe
|
Liebe
|
||
| 38
|
Elender
Mensch
|
Elender
Mensch
|
||
| 38v-39
|
E
quest il premi'amore
|
E
Quest'il Premi'amore
|
||
| 39v
|
Courante.
|
Courant
|
||
| 40
|
Balletto.
|
Ballet
|
||
| 40v
|
Balletto
|
Ballet
|
||
| 41
|
Variatio
|
Variation
on
|
||
| 41v
|
Volta
|
Volt
|
Charles
de l'Espine
|
Sibley
2 Aegidius 57v-58
Dolmetsch 124v-125
|
| 42
|
Courante
|
Courant
|
||
| 42v
|
Galliarda
|
Galliard
|
||
| 43
|
Ballet
|
Ballet
|
St
Petersburg 30v
| |
| 43v
|
Lamentatio
Bocqueti
|
Lamentation
|
Charles
Bocquet
|
Schele
37/2
|
| 44
|
Ballet?
|
|||
| 44v
|
Ballet
|
Ballet
|
||
| 45
|
Courant?
|
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