folio
|
original
ascription
|
title
|
composer
|
cons.
& cogs.
|
| 1
|
Corente.
|
Courant
|
Hove
1601 102v/1
| |
| 1v-2/1
|
Courant
|
Courant
|
||
| 2/2-2v/1
|
Volte.
|
Volt
|
||
| 2v/2-3
|
Ballet.
|
Ballet
|
F-Pn
Rés.Vmd.ms..29 9-9v
Dolmetsch 209v-210
| |
| 3v
|
Ceqond
Ballet.
|
Ballet
|
Fuhrmann
1615 155/2
| |
| 4-4v/1
|
Volte.
|
Volt
|
Mercure
d'Orléans
|
Fuhrmann
1615 177
Aegidius 58v-59
|
| 4v/2-5
|
Volte
quant ie voy ce bel oeil Vinceur.
|
Volt
|
Thysius
370v Fuhrmann 1615 38/2 Reynaud 6 LeRoy 1596 no.23
LeRoy 1597 no.6
| |
| 5v
|
Courante.
|
Courant
|
cf:
Dd.9.33 57v/1 Fuhrmann 1615 127/2 Dolmetsch 52v-53 Besard 1603 82v/2 Thysius 375v/2 Valerius 1626 26-27 Reynaud 10
LeRoy 1597 no.14
| |
| 6-6v/1
|
Toccade.
|
Toccata
|
||
| 6v/2
|
Ballet.
|
Ballet
|
Fuhrmann
1615 156/1
| |
| 7-7v/1
|
Courant.
|
Courant
|
||
| 7v/2-8/1
|
Courant.
|
Lord
Hay's Courant
|
Folger
24v/1 cf: ML 2v/2-3/1 Sampson 6/1 Board 8/1 Skene 119-122
Herbert 28/2
| |
| 8/2-9v/1
|
Fan=tasia
|
Fantasia
|
Hove
1601 6-6v
| |
| 9v/2-10v/1
|
Fantasia.
|
Fantasia
|
Hove
1601 5
| |
| 10v/2-13
|
Fantasia.
|
Fantasia
|
Mertel
1615 183
| |
| 13v-14
|
Fantasia.
|
Fantasia
|
Dd.2.11
37v/1 Mertel 1615 146/2-147/1 Hirsch 13/2 GB-Lbl Add.Ms.40032 203
Hove 1601 3v [cog]
| |
| 14v-16v/1
|
Fantasia
di Joachim van Hove Resonansi d'ecco.
|
Fantasia
on Lachrimae
|
Joachim
van den Hove
|
Schele
38-39/1
Hove 1601 4-4v
|
| 16v/2-17v/1
|
Fein
lustigh ist spazieren gehen.
|
Don
Frederico's Almain
|
Adriansen
1584 86v Montbuysson 26v/1 Vilnius 12 Phalèse 1574 78v-79 Newsidler 1574 K1v Dallis 218 Thysius 507 Hainhofer IV 33 Nauclerus 94
Fabritius no.177
| |
| 17v/2-18v/1
|
Almande
Schapell.
|
Almain
|
Thysius
487/1 and 487/2 Stobaeus 76v/2
Hove 1601 101v
| |
| 18v/2-21/1
|
Fortuna
di Joachimo van den Hovo.
|
Fortune
My Foe
|
Joachim
van den Hove
|
cf:
see appendix 4
|
| 21/2-22/1
|
Alamande.
|
Almain
|
Thysius
496v
Phalèse 1574 79v-80
| |
| 22/2-23/1
|
Galliarda
|
Galliard
|
Laurencini
|
Besard
1603 107v/1
Piccinini 1639
|
| 23/2-24/1
|
Galiarda
|
Galliard
|
||
| 24/2-27/1
|
Pauana
Lachrime
|
Lachrimae
Pavan
|
John
Dowland [15]
|
see
separate list
|
| 27/2-28/1
|
Galliarda
Lachrime.
|
Galliard
on Lachrimae
|
cognates
see separate list
| |
| 28/2-31v/1
|
Bergamasca.
|
Buffoons
Bergamasca Setting
|
Giovanni
Battista Domenico
|
see
appendix 4
|
| 31v/2-32
|
Galliarda
Romana
|
Galliard
|
||
| 32v-33v/1
|
Galliarda.
|
Galliard
|
Vallet
1615 no.32
| |
| 33v/2-34v/1
|
Pavan
|
|||
| 34v/2-35
|
Galliard
|
|||
| 35v-37/1
|
Sharp
Pavan
|
Richard
Allison
|
[this
version corrupt]
cf: see appendix 4
| |
| 37/2-39v/1
|
Pauana
|
Pavan
|
cf:
Hove 1601 92v-93
| |
| 39v/2-40v
|
Galliarda
|
Earl
ofDerby's Galliard
|
John
Dowland [44]
|
see
appendix 4
|
| 41
|
Balletto
Diomed:
|
Almain/Ballet
|
Diomedes
Cato
|
Fuhrmann
1615 145/1
|
| 41v
|
Balletto.
Diomed:
|
Ballet
|
Diomedes
Cato
|
|
| 42
|
Balletto.
|
Ballet
|
||
| 42v
|
Balletto.
|
Ballet
|
||
| 43
|
Balletto.
|
Ballet
|
||
| 43v
|
Balletto.
|
Ballet
|
||
| 44-45
|
Baletto
de Riesdia deto Duda qual s'accorda il Basso col Tenor Ottauo./ Ihr dess July
Cesari Barbetti [obscure] sub folio a5.
|
Ballet
|
| The Lute Page | Julia Craig-McFeely's Index Page | Index |